Must See: For Mature Audiences Only.

Effeminization as Oppression



A major tool of those who subscribe to white supremacy, according to Welsing, is the perpetuation of Black male passivity through encouraging effeminization, bisexuality, and homosexuality. Welsing believes this is "a problem of epidemic proportions am ongst Black people in the US."



Homophobia in communities of color is rampant...to the tenth power of the white mainstream. Why? Because the struggle for human rights against white supremacy has been disproportionately explained as the need to achieve "manhood" rights, from the perio d of the slave trade to the present.



Welsing believes homosexual patterns of behavior are simply expressions of male self-submission to other males in the area of "sex," as well as in other areas—economics, education, entertainment, labor, law, politics, religion, and war. Oppression is d efined as forced submission, homosexuality as a sign of weakness.



Welsing defines "primary effeminacy" and "secondary effeminacy" to distinguish white causes of homosexuality from Black ones. "Primary effeminacy" is a self-derived response by whites to their genetic insufficiency, causing a negation of self-reproduct ion due to disgust with their own genetic weaknesses.



"Secondary effeminacy" (Black male homosexuality) is consciously imposed on the Black man by the white man for the purpose of destroying the Black family. Welsing attempts to propagate a patriarchal concept of the Black family, which is curious, since it is afrocentric conventional wisdom that there was no patriarchy in traditional African societies.



Welsing does have a concept of gender roles being environmentally conditioned. However, a continuum would not represent qualities such as aggression and nurturing as universal that all humans can embody. Rather, the author clearly believes that in the process of the Black man taking on homosexual tendencies, he is acting like a woman. She is firmly against this as illustrated by the following examples.



From her work with incarcerated Black males, Welsing concludes that, as they have been broken by the system and forced to submit to an authoritarian environment, prison is the epitome of white supremacy. Black males are "feminized in jail" in the follo wing ways: They are given orders by men to whom they must submit; they wait passively to be fed three meals a day by men; and finally, they have sexual intercourse with men.



Welsing, in an attack on cross dressers of the "Flip Wilson/Geraldine" variety, implies that a real Black man wouldn't wear earrings or bracelets. How can an African-centered critique of white supremacy discount the earring and bracelet wearing Masai w arriors or the "Mau Mau," just two of many examples of "manhood" in resistance?



The author, angry with the American Psychological Association's relatively recent repeal of their former opinion that homosexuality constitutes poor mental health, prescribes a distinct position for Black people. Black psychiatrists must understand that whites may condone homosexuality for themselves, but we as Blacks must see it as a strategy for destroying Black people. Welsing argues that homosexuals or bisexuals should neither be condemned nor degraded, as they did not decide that they would be so programmed in childhood. The racist system should be held responsible. Welsing believes the task of professionals who concur with her should be proactive treatment and prevention of homosexuality among Black people.

Liev Schreiber (Ray Donovan) and Jaden Smith (The Karate Kid, After Earth) are set to star in The Good Lord Bird, a big-screen adaptation of the 2013 National Book Award winner by James McBride (Miracle At St. Anna, Red Hook Summer). McBride is aboard to produce the pic about Henry “Onion” Shackleford (Smith), a young slave who links up with radical abolitionist John Brown (Schreiber) in 1856 Kansas and travels the nation with Brown’s motley crew of freedom fighters. Story is told with a satirical bent through the eyes of Onion, who wears a dress and is at first mistaken for a girl, as he bears witness to Brown’s historic campaign and encounters the likes of Frederick Douglass and Harriet Tubman en route to the bloody Harper’s Ferry raid that helped spark the Civil War. McBride’s NY Times bestseller made Publishers Weekly‘s Top 10 Books of the Year list and has drawn comparisons to Mark Twain’s classic novel Adventures of Huckleberry Finn. - See more at: bossip.com/948798/hollyweird-jaden-smith-to-play-cross-dressing-slave-in-upcoming-film/#sthash.ePWZXp6L.dpuf

Here’s a “rumor” from back in the day when I was still in the biz. It was said by a reliable source in those circles back then that Debbie Allen “turned out” every chick on the show; “A Different World”. They all “got busy” at least once. And even though I met Will Smith during his “Parents Just Don’t Understand” days (or shortly thereafter)– it was Jazzy Jeff who actually showed interest in this little sista. Of course Will was still a teenager (and I’m not a pedophile) but I did notice over time (especially in his outakes of “Fresh Prince”) he leaned towards the feminine side. He seemed to always do impressions of ‘drag queens’ whenever he messed up his lines. Why is that relevant? Well… in order to participate in some of those sexual rituals that are a part of programming a victim– you’ve gotta’ lean towards the “freaky-deaky” from the start (and generational abuse is usually present as well). And I do happen to believe what Tupac and Professor Griff shared about Quincy Jones. And remember. Jones produced “The Fresh Prince of Bellaire”. My personal opinion? Jada experimented with Debbie and Will experimented with Quincy.
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From The National Enquirer:

Willow, who scored an instant hit with her 2010 music video “Whip My Hair,” was recently spotted looking like a home­less kid and wearing a jacket with “I Hate Everyone” scrawled on the back.

And as The ENQUIRER previously reported, she’s been posting disturbing messages on social media outlets. Now mental health experts agree her actions are a desperate cry for help.

“That jacket just screams for at­tention,” psychologist Terry Lyles told The ENQUIRER.

“It’s a garment tattoo that says Willow feels like an alien in this world. She feels misunderstood, like an outcast who is not truly being seen or heard.”

Willow has regularly turned to social media websites to bare her soul, expressing her dark feel­ings on a Tumblr blog, in Twitter messages and on Instagram accounts.

She’s written: “Being normal is ugly,” “I live in my own hell,” “I am on the brink,” “Life is pain,” and “I think my thoughts are trying to murder me.”